LIT CRIT
Jerry Harkins
What do these people have in common: Harry Martinson, Wislawa Szymborska,
Christian Mommsen, Bjornstjerne Bjornson, Sigrid Undset, Par Lagerkvist,
Yasunari Kawabata, John Coetzee, Elfriede Jelinek, Herta Müller, Tomas
Transtromer and Mo Yan (aka Guan Moye)?
Let me give you a hint. There are more Scandinavian names here than you will find on
most lists that do not involve winter sports. Right, there you are:
all are winners of the Nobel Prize for literature. Further, they also constitute a small
part of that large class of writers you never heard of. You can’t name a single work by any of
them. Hopefully, you have at least
a passing acquaintance with some of their fellow laureates, folks like Rudyard
Kipling, George Bernard Shaw, Eugene O’Neill and Winston Churchill, all of whom
had the good sense to write in English.
If you happen to be Irish or know someone who is, you’ve probably heard
of William Butler Yeats and Seamus Heaney. But if you guessed James Joyce, you’d be wrong. Ditto for Leo Tolstoy,
Henrik Ibsen, Mark Twain, Emile Zola, Marcel Proust, Joseph Conrad, D. H.
Lawrence, Wallace Stevens, E. E. Cummings and Vladimir Nabokov. These worthies were never anointed by
the Swedish Academy.
Let me hasten to state
the obvious. Lousy writers do not
usually win Nobel Prizes. All
those listed in the first paragraph are or were outstanding practitioners of a
difficult art. Some are or once were
widely read. Some of them and
their co-laureates, a very small number, may be read as long as there remain
people who care about literature.
But, if you know
only one poem written by a Nobel laureate, it is probably Kipling’s “If” a
perennial warhorse of high school anthologies. It is medium length and maximum embarrassing. Of its thirty-two lines, here are the
four people remember: "If you can fill the
unforgiving minute / With sixty seconds' worth of distance run -- / Yours is
the Earth and everything that's in it, / And -- which is more -- you'll be a
Man, my son!” Of course
it’s drivel. Of course that which is an ungrammatical pronoun. Of course the second line makes no
sense. But “If” threatens to live
forever. The 1907 Nobel Committee
cited Kipling’s, “…power
of observation, originality of imagination, virility of ideas and remarkable
talent for narration.” George
Orwell had the better of it when he wrote, “Kipling is a jingo
imperialist, he is morally insensitive and aesthetically disgusting.”
Between 1901 and 2014, one
hundred eleven writers were awarded the Nobel Prize. Of these, maybe sixty percent were well known in their time
and place. The rest were a matter
of the Academy displaying its priestly gnosis. Maybe twenty-five or thirty of those names would be
recognized today by a reasonably well informed American. Writers like Ernest Hemmingway, John
Steinbeck, Toni Morrison and even William Faulkner are just too much a part of
modern culture to be obscure. Yet. No predictions are ventured about their
celebrity a hundred years from now.
Educated Europeans are probably better informed about such things than
educated Americans because a lot of them for some strange reason speak and read
foreign languages. But even
sophisticated French readers would find it hard to place Mo Yan, the 2012
laureate who was cited for his “hallucinatory realism” which strikes an
unsophisticated American reader as an oxymoron. Every French person, even the one or two who are not so
sophisticated, knows the work of their countryman Patrick Modiano (2014). It is just one of the things that make
the French different from everybody else.
The sad truth is that
literature is not so vital to non-French persons today as it once was. There are far too many alternatives for
information, education and entertainment.
According to one recent survey, 68% of Americans have never been inside
a bookstore and, if Amazon has its way, they never will be. Fully 50% of us have never read a
newspaper.
There are three forces at work
here. First, for whatever reason,
we do not do a good job teaching basic skills like reading which means that
most students do not develop an appreciation of the pleasures of reading. This is by no means the fault of our
teachers but of our Know Nothing politicians who find education a safe subject
on which to mount the rhetorical barricades. Second, our writers, editors and publishers turn out
enormous quantities of soporific
prose. Some of this consists of
academics and other professionals writing specialized bullshit to one another
in the hope of gaining tenure.
There is a great deal of terrible writing in our newspapers and
magazines. I’m not talking about
vocabulary, spelling and the niceties of grammar, but about sentences that have
no discernible meaning and paragraphs whose logic contradicts itself. The classic example of this is the
United States Tax Code. For example, Section 24 of Subpart A of Part IV of
Subchapter A of Chapter 1 of Subtitle A reads as follows: “The
amount of the credit allowable under subsection (a) shall be reduced (but not
below zero) by $50 for each $1,000 (or fraction thereof) by which the
taxpayer's modified adjusted gross income exceeds the threshold amount. For
purposes of the preceding sentence, the term ‘modified adjusted gross income’
means adjusted gross income increased by any amount excluded from gross income
under section 911, 931 or 933.”
The entire tax code, Title 26, is 3,387 pages long. That’s the Reader’s Digest version. The IRS Regulations interpreting it run
to 13,458 more pages.
The third and most potent force is that it is no
longer necessary to read much.
Worse, reading for pleasure has been reduced to the status of an
eccentric hobby. It is optional, a
luxury few people have time for.
In spite of podcasts, audio books, condensed books, electronic books and
newspapers containing mostly celebrity gossip written at the fourth grade
level, most of us do not include reading or any of its surrogates as part of
our lives except for the most utilitarian purposes. Even then, the first thing the business writer learns is how
to compose a punchy executive summary.
We have returned to the days of yore when Western Union charged by the
word thereby putting a premium on terseness. That has now evolved into something called Twitter in which
each tweet is limited to 140 characters including spaces and punctuation
marks. Of course for many users of
Twitter that just about exhausts their entire vocabulary not counting acronyms,
emoticons, and numbers-as-syllables.
(That last sentence contains 144 characters. Too much punctuation.)
If Shakespeare was the archetypical literary
figure of the last 500 years, that of the next 500 is likely to be the red
circle with a backward slash through it:
a truly minimalist abbreviation of the complex word NO. The problem is our free time these days
comes in short bursts suitable only for headlines. We are slaves to our smart phones and please note it is the
phones that are smart. We, on the
other hand, have merely to learn a new skill, multitasking. We text, surf the internet and check our
email while we are driving. We are
addicted to machines that can tell us whatever we need to know in nanoseconds.
This has been going on a long time. By the early 1980’s it had become
obvious that we were on the threshold of what came to be called the Information
Age. Until the advent of the
personal computer, the tools of the information workers had not changed much
for centuries. We employed armies of clerks and bookkeepers, equipping them
with paper and pencils, typewriters, carbon paper and adding machines. Everything was going fine until, on
Wednesday, August 12, 1981, IBM introduced its first Personal Computer. Three months later, it began an
unprecedented ad campaign built around the character of Charlie Chaplin’s
Little Tramp. Both television and
print versions were brilliantly innovative on many levels , among them, they
were minimally verbal, like the silent movies. And they were powerful. Within a short time, a new industry was born and both white
collar and pink collar productivity posted spectacular gains. Within five years, companies were
instituting epoch-making layoffs in the clerical and middle management sectors
of the workforce.
The information revolution has changed the nature
of the transaction between writer and reader in a profound way. The writer’s job used to be to engage
the intellect and emotions but is now a matter of concision and
simplicity. A phrase like
“Fourscore and seven years ago” is extravagant because it requires a moment’s
thought. It gives a quantum of pleasure
where none is needed. You can buy
powerful personal computers today the complete instructions for which contain
fewer than ten words. You are
lucky to get a single fold-out sheet with a dozen or so line drawings. For less than $500, you can buy an
iPhone. Ask it a question, any
question, and a robot named Siri will tell you the answer. It’s an automated voice transaction, no
reading or writing required.
So the world has changed and no one knows what to
do about it. Some responses are
truly laughable. As print
journalism goes the way of the buggy whip, the best idea The New York Times can
come up with is to create more long form, deep think analytic pieces, more
soft-focus feature stories and more of yesterday’s hard news tomorrow. Gone are the days when the Late City
edition would provide a full account of today’s World Series game. Now that is likely to appear the day
after tomorrow. It used to be said that yesterday’s paper was good only for lining
the bottom of the bird cage. Now
today’s edition will do fine.
Instant obsolescence. To
call it “news” would be false advertising. If you want to know what’s happening, ask Siri. Of course The Times has designed
a brilliant web site.
Unfortunately Americans think freedom of the press means the press
should be free. Moreover, as
Marshall McLuhan said, information wants
to be free.
We are at the beginning of the Information
Revolution and there is no way of imagining how information exchange will
evolve. Anyone over fifty who has
taught bright college students has observed that they seem to process
information in unfamiliar and often disconcerting ways. They connect the dots differently,
avoiding the careful sequential logic of Aristotle in favor of what seems to be
random walks through non-Euclidean hyperspace. They seem to function in a world shaped by Gödel’s incompleteness theory or Heisenberg’s
Uncertainty Principle. But their
creativity and insight continue to startle the world and there may be a causal
relationship at work there.
It is hard to envision an advanced community
without an intensive amount of reading, writing and other verbal behavior. There may be other ways to communicate. Some, for example, think the
Neanderthals whose vocal anatomy seems to have been inadequate for speech may
have developed some level of telepathic skills to meet their needs for
cooperative behavior. The 1980 historical novel The Clan of the Cave Bear by Jean M. Auel speculated persuasively
about the nature of such skills among Neanderthals and how they might have
gradually evolved into vocal language among Cro-Magnon humans. Others have proposed that we ourselves
have always had unrecognized skills for uncovering and validating knowledge,
skills that are so basic as to be almost invisible. The English chemist and philosopher Michael Polanyi called this “personal knowledge” and
suggested it is the root of all complex ideation. Modern “abstract” art and music seem largely an effort to
communicate internal understandings that are verbally inexpressible.
Those of us who love to read, whether the mystery
novels of Tony Hillerman or the convoluted prose of James Joyce, are riding a
lame horse. Language is
restrictive. Words are, at best,
crude symbols that serve as filters for ideas on their passage from one mind to
another. Grammar sets necessary
borders that both define and limit the scope of ideas with alien logic. For millennia, mathematicians have been
developing an entirely different system of symbols and structures to
communicate the kinds of ideas that attract their attention. It may be that we have reached a point
in our cultural evolution that will necessitate something similar for more
general use. We are a long way
from releasing ourselves from the limitations of words and grammar but the
evidence suggests the journey has begun.